![]() But that fear is a good thing, she explains: “It is a strength for me along the way. It is also one of the few jobs that is a collective work, and that is the most beautiful thing about it!”ĭespite her achievements, the director is still always afraid when it comes to showing her work. “As a teenager, I wanted to do something where life and work were connected. The filmmaker loves this editing phase, which she calls “the real rewriting of the film.” In fact, it was when she started out first in editing that she discovered her passion for cinema. We always keep an opening to what’s going on around us when we shoot and let it enter the story.” “But the biggest part of the job is to work with the actual sounds so that they give meaning to the scenes. Music is never used as a commentary on emotions in her films, but rather to reveal them or to create a contrast with them. She is always one of the first people who reads my scripts.”Īs she finishes the sound mixing of “La Chimera” in Geneva, close to Nyon, Alice Rohrwacher also took the opportunity to talk about the importance of sound. But we know that our criticisms are very constructive. We trust and love each other so much that we always tell each other the truth, even if it hurts, and sometimes that can cause arguments. ![]() “Working with my sister is a privilege, because she is a great and very generous actress. “I deeply admire actors, they are able to do something I can’t do,” she says. Working with Alba Rohrwacher, who also appeared in “The Wonders,” “Happy as Lazzaro” and the short film “Le Pupille,” for which Alice Rohrwacher was nominated for an Academy Award this year, is important to the director.
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